Screenprint in 25 colours on Somerset textured paper
signed, dated and numbered from edition of 100 (no 79)
85.5 x 117cm. (sheet)
printed by Kip Gresham, Ian Wilkinson and Jimi Kazak
Example in Tate Collection.
Since the late 1960s, Bellany has frequently employed the structure of the triptych for its narrative possibilities. The print Odyssey is based on a three panelled painting of 1995, Sweet Promise (City Art Centre: City of Edinburgh Museums and Galleries), which it closely resembles.