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Anders Zorn was one of the leading European artists
around 1900. He was a contemporary of Munch and Max Liebermann. His
interest was above all concentrated in the French tradition of capturing
realism. Zorn was the son of a brewer and when still a child showed
great artistic talent. In 1875 he was sent to study at the Academy in
Stockholm where he began by learning sculpture. He showed a talent for
watercolour painting and after leaving the Academy in 1884 travelled,
first to Spain and later to London where he stayed until 1884, exhibiting
at the Royal Academy and at the Royal Institute of Painters in Water-colour.
In 1885 he returned to Stockholm although for the next few years he
travelled extensively in the near East, North Africa and Europe. He
settled in Paris in 1888 where worked as both painter and sculptor,
becoming friends with Rodin and other of his contemporaries there. Although
famed as a painter of portraits his best work was in the depiction of
the female nude in both paint and notably, etching. His etching technique
was prodigious and as here he was able to capture striking and almost
lifelike poses with his characteristically rapid technique.
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