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Keith Vaughan CBE (British, 1912-1977)


Keith Vaughan was born in Sussex. He was self-taught as an artist and from 1931 to 1938 worked for the advertising agency Lintas, only painting in his spare time. During the war his work was bought by the War Arts Advisory Committee and he met, and was greatly influenced by, Graham Sutherland, John Minton, John Craxton and Robert Colquhoun. His first solo show was at the Reid and Lefevre Gallery in 1944 and he continued to exhibit there until 1952. Retrospective exhibitions of his work include the Whitechapel in 1962, the University of York in 1970. He was represented in many group exhibitions and his works are held in many public collections, including the Tate Gallery. He taught at Camberwell 1946-8, the Central School 1948-1957, and the Slade from 1959. In 1959 he was Resident Painter at the State University of Iowa. He served on the Arts Council Advisory Panel, became an Honorary Fellow of the RAC in 1964 and was made a CBE in 1965. Commissioned work included murals for the Festival of Britain, 1951, and a series of lithographs for Rimbaud's 'Une Saison en Enfer'. He is well-known for his male nudes and landscapes. Early influences were those of Cézanne and the English neo-romantics. Later work achieved an integration of figurative subject and liberated colour and form, reflecting his admiration for de Stael and Matisse.


Keith Vaughan. Farmyard

Farmyard
pen and ink and wash on paper
signed
16.5 x 12.5cm.

£1,800 (framed)
    

Keith Vaughan. Nudes



Nudes
Pen and ink on paper
studio stamp to the reverse
16 x 19.5 cm. (sheet)

Provenance:
the Redfern Gallery; Sotheby's; Tremayne Applied Arts

£1,050
(framed)



Keith Vaughan. double study of figure in an interior



double study of figure in an interior
stamped with the estate stamp on the reverse
pencil on paper
16.8 by 13.5cm.

Provenance: the artist's estate

£1,050 (framed)
  

Keith Vaughan. Portrait of man; Figure studies



Portrait of man; Figure studies (verso of sheet)
pencil on paper; charcoal on paper
c. 1940
two drawings to both sides of one sheet
21 x 15.5 cm.(sheet)

Provenance:
a gift from the artist to the previous owner.

condition: minor marks at top of verso of sheet from where the drawing was previously glued to another sheet and professionally lifted to reveal the charcoal study to the reverse.

£1,200
(framed to show both recto/verso of sheet)

Two drawings by Keith Vaughan from c. 1940. The first is a fine, crisp pencil portrait of a beautiful and slightly angular youth, presumably a fellow worker or inmate from Eden Camp near Malton, (a POW camp built with the inmates' own labour as a 'model camp'.) Vaughan was a conscientious objector and worked at Eden as an orderly-room clerk. He spent many evenings drawing and, whilst in the camp, he produced a number of portraits of young officers and inmates, such as this one.

The figure studies to the reverse are sketches in charcoal of characteristically sculptural male nudes, presumably studies for a larger composition.

References:
Keith Vaughan. Journals and Drawings 1939-65, 1966; Malcolm Yorke, Keith Vaughan: his life and work, 1990 (ch. 4, pp. 83-114 refer in detail to Vaughan's time spent in North Yorkshire.)

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