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Keith Vaughan was born in Sussex. He was self-taught as an artist and
from 1931 to 1938 worked for the advertising agency Lintas, only painting
in his spare time. During the war his work was bought by the War Arts
Advisory Committee and he met, and was greatly influenced by, Graham
Sutherland, John Minton, John Craxton and Robert Colquhoun. His first
solo show was at the Reid and Lefevre Gallery in 1944 and he continued
to exhibit there until 1952. Retrospective exhibitions of his work include
the Whitechapel in 1962, the University of York in 1970. He was represented
in many group exhibitions and his works are held in many public collections,
including the Tate Gallery. He taught at Camberwell 1946-8, the Central
School 1948-1957, and the Slade from 1959. In 1959 he was Resident Painter
at the State University of Iowa. He served on the Arts Council Advisory
Panel, became an Honorary Fellow of the RAC in 1964 and was made a CBE
in 1965. Commissioned work included murals for the Festival of Britain,
1951, and a series of lithographs for Rimbaud's 'Une Saison en Enfer'.
He is well-known for his male nudes and landscapes. Early influences
were those of Cézanne and the English neo-romantics. Later work
achieved an integration of figurative subject and liberated colour and
form, reflecting his admiration for de Stael and Matisse.
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Portrait of man; Figure studies
(verso of sheet)
pencil on paper; charcoal on paper c. 1940
two drawings to both sides of one sheet
21 x 15.5 cm.(sheet)
Provenance: a gift from the artist to the previous owner.
condition: minor marks at top of verso of sheet from where the
drawing was previously glued to another sheet and professionally lifted
to reveal the charcoal study to the reverse.
£1,200 (framed to show both recto/verso of sheet)
Two drawings by Keith Vaughan from c. 1940. The first is a fine,
crisp pencil portrait of a beautiful and slightly angular youth, presumably
a fellow worker or inmate from Eden Camp near Malton, (a POW camp built
with the inmates' own labour as a 'model camp'.) Vaughan was a conscientious
objector and worked at Eden as an orderly-room clerk. He spent many evenings
drawing and, whilst in the camp, he produced a number of portraits of
young officers and inmates, such as this one.
The figure studies to the reverse are sketches in charcoal of characteristically
sculptural male nudes, presumably studies for a larger composition.
References: Keith Vaughan. Journals and Drawings 1939-65, 1966;
Malcolm Yorke, Keith Vaughan: his life and work, 1990 (ch. 4, pp.
83-114 refer in detail to Vaughan's time spent in North Yorkshire.)
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