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Eric Ravilious SWE (British 1903-1942)


English painter, wood-engraver and designer. He was born in Acton and was educated at Eastbourne School of Art and then at the Royal College of Art (1922–1925), where he was taught by Paul Nash and became close friends with Edward Bawden. He began teaching part-time at Eastbourne School of Art in 1925 and later that year was elected to the Society of Wood Engravers, having been proposed by Paul Nash. After leaving the RCA, he became a master of wood engraving and illustrated numerous books and produced patterned papers for the Curwen Press. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography to illustrate High Street (1938). Later as a War Artist he produced a series of lithographs of submarines.

Ravilious also produced posters and designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, as in Train Landscape (c. 1939; Aberdeen, A.G.) and empty rooms (e.g. Farmhouse Bedroom, 1939; London, V&A). In 1939 he became a War Artist, and during World War II he depicted such subjects as De-iceing Aircraft (c. 1942; London, Imperial War Museum). He died while observing a sea rescue mission.

References: J. M. Richards: The Wood Engravings of Eric Ravilious (London, 1972); F. Constable: The England of Eric Ravilious (London, 1982); H. Binyon: Eric Ravilious: Memoir of an Artist (London, 1983); R. Dalrymple: Ravilious and Wedgwood (London, 1986); Eric Ravilious, 1903–42: A Re-assessment of his Life and Work (exh. cat. by P. Andrew, Eastbourne, Towner A.G. & Local Hist. Mus., 1986); R. Garton, ed.: For Shop Use Only: Eric Ravilious (Devizes, 1993); Tate Gallery. Artists at the Curwen Exhibition 178. Horne. The Dictionary of Twentieth Century British Book Illustrators, p. 363.


Eric Ravilious. Furlongs



Furlongs
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950
43.2 x 50.8cm. (image); 61 x 64cm. (sheet)

£219.99 (unframed); £329.99 (framed)


Eric Ravilious. Flowers on Cottage Table



Flowers on Cottage Table
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950
51.4 x 56.5cm. (image); 61 x 66cm. (sheet)

SOLD


Eric Ravilious. Ironebridge at Ewenbridge



Ironebridge at Ewenbridge
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950
54.6 x 49.5cm. (image); 69 x 61cm. (sheet)

£219.99 (unframed); £329.99 (framed)


Eric Ravilious. Testing Davis Apparatus



Testing Davis Apparatus
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950
45 x 49.7cm. (sheet)

SOLD



Eric Ravilious. Chalk Paths




Chalk Paths
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950 
56 x 47cm. (image); 65 x 61cm. (sheet)

SOLD


Eric Ravilious. Wiltshire Landscape




Wiltshire Landscape
giclée print in colours
on cotton rag paper
2007
numbered from limited edition of 950
54 x 41cm. (image); 63 x 61cm. (sheet)

£219.99 (unframed); £329.99 (framed)


Eric Ravilious. Hams



Hams
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Submarine Engineer




Submarine Engineer
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Public House




Public House
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Family Butcher




Family Butcher
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD
 


Eric Ravilious. Coach Builder




Coachbuider
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Amusement Arcade


Amusement Arcade
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

Striking lithographs by Eric Ravilious from perhaps his most famous series of studies of shops which so typify the artist's style.

£270 (unframed) or £300.00 each in bespoke English Oak frames with dove grey mounts.


Eric Ravilious. Fire Engineer



Fire Engineer
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Baker



Baker
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Cheesemonger



Cheesemonger
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Chemist



Chemist
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Oyster Bar



Oyster Bar
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Model shipbuilder



Model Shipbuilder
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Hardware

Hardware
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Theatrical Properties




Theatrical Properties
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Saddler



Saddler and Harness maker
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD 


Eric Ravilious. Wedding Cakes




Wedding Cakes
Original lithograph
printed in colours on cream wove paper
drawn and printed at the Curwen Press in 1937,
from the series 'High Street' issued by Country Life in 1938
22.8 x 14.5 (sheet)

SOLD


Eric Ravilious. Greenwich Observatory


Greenwich Observatory
Limited/numbered edition of 500 on 100% cotton mould-made paper
printed by Adrian Lack, published in 2006 by The Mainstone Press
19.5 x 27 cm. (image) 39 x 45 cm. (sheet)
SOLD OUT

Two stunning limited edition prints after watercolours by Ravilious from 1938.

In 1937, Christian Barman, London Transport's publicity Officer, asked Eric Ravilious to submit an idea for a poster promoting travel to Greenwich. In November of that year, Barman wrote to Ravilious "...although I greatly like the drawing I have here, I think it is completely useless for the purpose of attracting traffic to Greenwic..." Ravilious sumitted thes two alternative watercolours in 1938. One showing the Observatory and the other a night scene of Greenwich Pier. Both were accepted but not used due to the start of the Second World War. 


Ravilious. Greenwich Pier


Greenwich Pier at Night
Limited/numbered edition of 500 on 100% cotton mould-made paper
printed by Adrian Lack, published in 2006 by The Mainstone Press
19.5 x 27 cm. (image) 39 x 45 cm. (sheet)
£89 (within mount)
£139 (framed in oak)

Eric Ravilious. The St Bride Notebook


Archer, Caroline and Robert Harling
The St Bride Notebook.

Oldham: For the Friends of the St. Bride Printing Library By the Incline Press, 2003.
First Thus. 8vo - over 7¾" - 9¾" tall.
ONE OF A LIMITED EDITION OF 200 COPIES, SIGNED BY CAROLINE ARCHER, WITH 5 WOOD ENGRAVINGS BY RAVILIOUS INCLUDED IN A SEPARATE SLEEVE, Text by Robert Harling 'Notes on the wood engravings of Eric Ravilious' and Caroline Archer 'Eric Ravilious and the Kynoch Press', plain and coloured wood engravings printed from the originals, plate of Ravilious initials and ornaments tipped-in, printed on Heritage Fourdrinier paper throughout, blue cloth-backed patterned paper (after Ravilious design) boards, 5 separate engravings printed from the original blocks, loose as issued, housed in paper folder tipped onto rear inside board. A beautifully produced work completed to coincide with the Ravilious centenary.

SOLD


Eric Ravilious. Child's handkerchief



Child's Handkerchief
lithograph on Rivoli Blanc paper
edition of 500
43 x 44.5 cm.
printed in 1989 from the original design on cotton belonging to the Ravilious family

SOLD

The design for a child's handkerchief was created in the penultimate year of the Ravilious's life, intended as an initiation into the art of textile design which was, owing to the artist's tragic death in the War, never followed up. The design was specifically created for the Cotton Board to exhibit at War Artists' exhibitions in the US; it owes much to the artist's earlier, much celebrated Wedgwood Alphabet mug. The design was originally produced in an extremely small edition of lithographs, and the present edition was published by the Judd Street Gallery from from the finer of two copies belonging to the artist's family.

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