Gwen Raverat RE (British, 1885-1957) |
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Gwen Raverat was the daughter of Sir George Darwin, Professor of Astronomy
at Cambridge University and the grand-daughter of Charles Darwin.
She studied at the Slade from 1908-1911 and was self-taught as a wood
engraver. In 1911 she married Jacques Raverat, a fellow art student.
The pair were close friends of Eric Gill, Stanley Spencer and Andre
Gide. In 1920 Gwen Raverat became a founder-member of the Society
of Wood Engravers and an Associate of the Royal Society of Painter-Etchers
and Engravers. Raverat's role within the revival of wood engraving
cannot be underestimated. She published books containing modern wood
engravings from 1915 and illustrated a huge quantity of books throughout
her life.
Rare artists proofs of wood engravings
for Laurence Sterne's A Sentimenal
Journey. Laurence Sterne's A Sentimental Journey was
first published with illustrations by Gwen Raverat in 1938 by Penguin
from stereotypes altered by the artist for this publication. It was
reissued in 1941, printed and published by Thomas Nelson with original
wood engraved illustrations rather than with those with strengthened
whites from the 1938 stereotypes. A great deal of definition was lost
from these compositions in 1938 when they were printed from stereos,
later rectified by Nelson in 1941 who printed directly from Raverat's
own blocks. These fine examples of Gwen Raverat's engravings, in proof
form were designed and engraved by Raverat in 1937 and were eventually
used in the 1941 edition of the book.
References: (SJ) Laurence Sterne. A Sentimental Journey
through France and Italy, London: Thomas Nelson, 1941(SN) Joanna
Selborne and Lindsay Newman. Gwen Raverat: wood engraver,
2003; (SB) Reynolds Stone and Simon Brett. The Wood Engravings
of Gwen Raverat, 1989.
All on cream Japanese paper, strong
impressions, with conservation mounts and
black frames.
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Five Trees
wood engraving
1939
74 x 138mm. (image)
Ref: SN: no. 486; SB: p. 121.
SOLD
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The Months (Christmas Pudding)
wood engraving
1932
(edition of 30)
23 x 29mm. (image)
Ref: SN: no. 220; SB: 70.
Used as an illustration for Sara Coleridge 'The Months' in The Cambridge
Book of Poetry for Children, 1932, illustrated p.21.
SOLD
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Echo and the Ferry
wood engraving
1932
(edition of 30)
29 x 45mm. (image)
Ref: SN: no. 261; SB: 71.
Used as an illustration for Jean Ingelow 'Echo and the Ferry' in The
Cambridge Book of Poetry for Children, 1932, illustrated p.203.
SOLD
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The Fair fille-de-chambre
proof wood engraving of 2nd state
signed in the block with initials
10.2 x 8.4 cm. (image/block)
Illustrated SJ, p. 137
Ref: SN: no. 475; SB: 108.
£220 (within mount)
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The Temptation
proof wood engraving of 2nd state
signed in the block with initials
12.7 x 9.6 cm. (image/block)
Illustrated SJ, frontispiece
Ref: SN: no. 466; SB: 108.
£245 (within mount)
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The Case of Delicacy
proof wood engraving of 2nd state
signed in the block with initials
8.4 x 8.4 cm. (block/image)
Illustrated SJ, p. 180
Ref: SN: no. 477; SB: 109.
SOLD
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Le Dimanche
proof wood engraving of 2nd state
signed in the block with initials
7.6 x 8.3 cm. (image/block)
Illustrated SJ, p. 45
Ref: SN: no. 475; SB: 107.
£225 (within mount)
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The Remise Door
proof wood engraving of 2nd state
signed in the block with initials
5.1 x 8.4 cm. (image); 8 4. x 12 cm. (sheet)
Illustrated SJ, p. 45
Ref: SN: no. 469; SB: 109.
£225 (framed)
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The Starling
proof wood engraving
5 x 4.5 cm. (image); 11.8 x 8 4 cm. (sheet)
Illustrated SJ, p. 130
Ref: SN: no. 473
SOLD
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The Desobligeant
proof wood engraving of 2nd state
signed in the block with initials
6.2 x 8.4 cm. (image); 10.8. x 14 cm. (sheet)
Illustrated SJ, p. 23
Ref: SN: no. 468; SB: 107.
SOLD
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[En Route]
proof wood engraving of 2nd state
signed in the block with initials
4 41 x 5.2 cm. (image); 11.6 x 8.2 cm. (sheet)
Illustrated SJ, title-page
Ref: SN: no. 467.
SOLD
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The Gloves
proof wood engraving
(of 2nd state)
signed in the block with initials
8.3 x 8.4 cm. (image); 13. x 11.5 cm. (sheet)
Illustrated SJ, p.99
Ref: SN: no. 471
SOLD
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The Dwarf
proof wood engraving
(of 4th state)
signed in the block with initials
11.4 x 8.4 cm. (image); 15.5. x 12 cm. (sheet)
Illustrated SJ, p. 107
Ref: SN: no. 472.
SOLD
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The Dead Ass
proof wood engraving
(of 2nd state)
signed in the block with initials
11.5 x 9 cm. (image); 15.5 x 12 cm. (sheet)
Illustrated SJ, p. 73
Ref: SN: no. 470; SB: 109.
SOLD
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Pryor, William. Virginia Woolf & the Raverats
a Different Sort of Friendship.
Bath: Clear Books, 2003.
First Edition. 4to - over 9¾" - 12" tall.
LIMITED EDITION OF 500 NUMBERED COPIES SIGNED BY THE EDITOR WITH A LIMITED
EDITION WOOD ENGRAVING BY GWEN RAVERAT INCLUDED.
Printed on Rives Artist paper, set in Dante type, designed by Humphrey
Stone, plain and colour illustrations, quarter bound in buckram cloth
and Compton Marbling paper, with slipcase in Ingres paper by Smith Settle
Limited, with a separate wood engraving by Gwen Raverat numbered in
pencil of 'Vence, La Place en Ete' which was produced by raverat in
1923 and here printed from the original boxwood block by Simon Lawrence
of the Fleece Press, housed in a paper folder. A beautiful copy of this
fascinating record of correspondence between Vriginia Woolf and Gwen
and Jacques Raverat. Gwen Raverat was the daughter of Sir George Darwin,
Professor of Astronomy at Cambridge University and the grand-daughter
of Charles Darwin. She studied at the Slade from 1908-1911 and was self-taught
as a wood engraver. In 1911 she married Jacques Raverat, a fellow art
student. The pair were close friends of Eric Gill, Stanley Spencer,
Virginia Woolf and Andre Gide. In 1920 Gwen Raverat became a founder-member
of the Society of Wood Engravers and an Associate of the Royal Society
of Painter-Etchers and Engravers. Raverat's role within the revival
of wood engraving cannot be underestimated. She published books containing
modern wood engravings from 1915 and illustrated a huge quantity of
books throughout her life.
SOLD
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