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Edward McKnight Kauffer was born in Great Falls Montana. After the
breakdown of his parents marriage he was placed in an orphanage and
it was only in 1912 that he could afford to follow an artistic career
when he met Joseph McKnight, a professor at the university of Utah,
whose name he adopted. he studied at the Art Institute of Chicago
(1912-1913) while working as a scene painter and then spent time in
France and Germany. In 1914 he settled in England with his wife Grace,
first in Durham and then London where he began work as an advertising
artist producing labels and posters for a number of companies. He
achieved lasting fame in England for his brilliant designs which included
textiles, furnishings and a number of dust-jacket images for books.
In 1919 Kauffer formed Group X with Wyndham Lewis which provided the
opportunity to exhibit work at the centre of London's avant-garde
movement and he was responsible for raising the standard and profile
of commercial art more than any other artist in this country. Examples
of his work are held in a number of public collections, including
The Government Art Collection, V & A, London Transport Museum,
Cooper-Hewitt Museum, and MOMA. Retrospectives of his work have been
held at the V & A (1955) and MOMA (1937).
References: Mark
Haworth-Booth. E. McKnight Kauffer: a designer and his Public
(1979), Catalogue to the Memorial Exhibition of E. McKnight
Kauffer (V & A, 1955), Horne: 269; Mary Ann Caws and Sarah
Bird Wright. Bloomsbury and France: Art and Friends (2000);
Mary Ann Caws. Bloomsbury in Cassis (1994).
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Cassis
1931
pencil and watercolour on paper
signed by the artist
23.5 x 26cm. (image)
Provenance: Arthur Tooth & Sons, exhibited 1931
£1450 (framed in bespoke
English Oak)
This fresh watercolour shows a country
lane in Cassis in the South of France. McKnight Kauffer stayed at Clive
Bell's house in Cassis in 1931, an area where most of the Bloomsbury
Group holidayed during the 1930s. Virginia Woolf spent time there before
commencing To the Lighthouse. Cassis was always a place for
painters and Duncan Grant and Roger Fry also painted the area a number
of times. It was an idyllic location for writers and artists and of
Cassis, Virginia Woolf noted, "complete heaven, I think it."
([7 April, 1918] quoted in A Change of Perspective: Letters of Virginia
Woolf 1923-1928: 483.)
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