Robert Gibbings (British, 1889-1958) |
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Robert Gibbings was born in Cork, Ireland. He was educated locally
and went on to study medicine for two years at University College,
Cork. He later studied art, briefly at the Slade and also at the Central
School of Art. He began to experiment with wood engraving, and while
on active service in World War I made numerous drawings which he later
engraved. After the war he was instrumental in setting up the Society
of Wood Engravers. Between 1924 and 1933 Gibbings owned the Golden
Cockerel Press at Waltham St Lawrence, near Reading. He directed all
aspects of book printing and illustration, decorating many of the
publications with wood engravings by himself and other leading artists
including Eric Gill. During his time at Waltham he carved a small
number of major pieces in stone. The economic slump forced him to
sell the press in 1933 and he moved to Cornwall. In 1936 Gibbings
became senior lecturer in typography, book production and engraving
at Reading University. In 1938 he held a one-man exhibition at Reading
Museum titled ‘Twenty Years of Engraving’. His long interest
in natural history and his travels resulted in a number of books which
he both wrote and illustrated:Sweet Thames Run Softly (1940)
was a particular success. In 1955 Gibbings moved from London to Long
Wittenham, a village on the banks of the upper Thames. His last book,
Till I End My Song, published in 1957, is principally about
this village.
Reference: Patience Empson (ed.), The Wood Engravings
of Robert Gibbings (1959). Mary A Kirkus, Robert Gibbings:
A Bibliography, ed. Patience Empson and John Harris (1962);
Andrews, Martin, J. The Life and Work of Robert Gibbings,
2003.
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The Mill
Wood engraving included
in Twelve Wood engravings (privately published, 1921)
Wood engraving on paper, signed by the artist
1918
108 x 70mm.
References: recorded in Empson, Patience, The Wood-engravings
of Robert Gibbings, 1949: 11.
£420
A rare and early engraving by Gibbings from 1918.
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St. Pachome,
Abbot of Taberne
Wood engraving for
Beasts and Saints by Helen Waddell (1934)
Wood engraving on paper, signed by the artist
1934
120 x 94mm.
References: recorded in Empson, Patience, The Wood-engravings
of Robert Gibbings, 1949: 140; illustrated in Andrews, Martin, J. The
Life and Work of Robert Gibbings, 2003: 185.
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A striking wood engraving from 1934 to illustrate Helen Waddell’s
book Beasts and Saints which was a collection of stories and
folk tales on the theme of ‘the mutual charities between saints
and beasts’ dating from the fourth to the twelfth centuries and
translated from the Latin by Waddell. Gibbings was particularly satisfied
with his work for the book, recalling ‘My engravings in these two
books were the best that I had so far accomplished, and gradually the
sadness I felt at losing my press was dissipated.’ (Robert Gibbings,
Some Recollections, from Patience Empson, The Wood-engravings of Robert
Gibbings, 1949: xlii).
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