Lynn Chadwick (British, 1914-2003) |
 |
 |
Lynn Chadwick was born in 1914 in London. He
worked as an architectural draughtsman until becoming a pilot during
the war. One of the most famous and best-loved British sculptors of
the twentieth century, with work held in all major British museums,
he sadly died in 2003.
|  |
 |
 |

|
 |
Figure
Monoprint
1966
signed and dated by the artist
505 x 375mm. (sheet)
£5,000 (framed)
|
 |
 |
 |

|
 |
lithograph
on Barcham Green Crisbrook paper, with the artist's monogram as watermark
1969
signed and dated by the artist in pencil
printed at the Curwen Studio London in 1969 to accompany an exhibition at the Dorsky Gallery, New York.
minor fraying at edges, soft crease at corner, otherwise sheet in very good condition
815 x 595mm. (sheet)
£650 (framed)
|
 |
 |
 |

|
 |
Reclining Couple on blue stripes
lithograph in colours wove paper
1974
signed, dated and numbered from the edition of 75 (no. 10) by the artist in pencil
805 x 600mm. (sheet)
£900
|
 |
 |
 |

|
 |
Reclining Figures II
lithograph
on BFK Rives paper
1971
signed, dated and numbered from the edition of 150
published by Erker Presse, St. Gallen, Switzerland, with their blindstamp.
760 x 560mm. (sheet)
£500
|
 |
 |
 |

|
 |
Hammacher
lithograph in green, grey and and plum on BFK Rives paper
1971
signed and dated by the artist in pencil
proof aside from regular edition of 150
published by Erker Presse, St. Gallen, Switzerland, with their blindstamp.
765 x 560mm. (sheet)
£650
|
 |
 |
 |

|
 |
Sketches for Sitting Couples
lithograph in 3 colours on cotton Magnani di Pescia paper, with Bison watermark
1973
signed and dated and numbered from the edition of 99 (no. 36) by the artist in pencil
printed and published by Il Bisonte, Italy.
705 x 500mm. (sheet)
£650
|
 |
 |
 |

|
 |
Reclining Figure on a Green Wave
lithograph in colours on
on BFK Rives paper
1971
signed, dated and inscribed 'EDA' (Epreuve d'artiste)
artist's proof aside from the edition of 200
published by Erker Presse, St. Gallen, Switzerland, with their blindstamp.
755 x 555mm. (sheet)
£800
|
 |
 |
 |

|
 |
Hommage
à Picasso
lithograph in colours on wove paper
1971
signed and dated and inscribed 'EA' (Epreuve d'artiste) in pencil
artist's proof aside from the edition of 90
76 x 56 cm. (sheet)
SOLD
|
 |
 |
 |

|
 |
Figure I
lithograph in brown, ochre and black on wove paper
1966
signed and dated and numbered from the edition of 50 by the artist in
pencil
81.6 x 59.7 cm. (sheet)
Another example of this
print is in the Tate Gallery Collection.
SOLD
|
 |
 |
 |

|
 |
Two Sitting Figures On Stripes I
lithograph in grey, purple and black on wove paper
1972
signed and dated and numbered 53/100 by the artist in pencil
56 x 76 cm. (sheet)
SOLD
|
 |
 |
 |

|
 |
Two Sitting Figures
On Stripes
lithograph in green and black on BFK Rives paper
1972
signed and dated by the artist in pencil
proof aside from the edition of 100
published by Erker Presse, St. Gallen, Switzerland, with their blindstamp.
56 x 76 cm. (sheet)
This
is a classic lithograph by the artist, showing two abstract figures
sitting on stripes. This is a well-known motif for Chadwick, and he
used the block and triangular headed figures for large sculptures in
the same year. In fact, the motif of seated figures was to dominate
Chadwick's major bronzes during the 1970s. Here, the seated figures
are arranged in formal poses close to one another, suggesting apparent
intimacy. The female torso and the ‘pleated' effect of the man's
clothing are both clearly defined and each is turned slightly inwards
towards the other, suggesting a closeness and intimacy that contracts
with the acid green striped bench upon which both figures are seated.
The overall effect of the composition suggests a timeless quality so
characteristic of Chadwick's work.
£800
|
 |
 |
 |

|
 |
The Guards
lithograph in colours
1960
signed and dated and numbered 292/300 by the artist in pencil
The overall
tonality of the print in pale blues and browns softens the image
but also places it firmly within the 1960s.
SOLD
|
 |
 |