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Piers Browne (British, b. 1949)


Piers Browne - A painter in the English tradition who often shows in the Royal Academy Summer Show and in November at the New English Art Club

Piers followed a classical path through art schools and travelled widely in Europe and Africa before settling in Wensleydale in 1975.

1968-70 - Byam Shaw, London under Peter Garrard and Maurice de Saumarez.

1970 - Travelled in Africa, painting, and 1971 spent whole year copying in European museums from Paris to Palermo.

1972-75 - Royal Academy Schools, London, where won David Murray Landscape prize two years running. He learnt to etch at the same time at Islington Studio under the late great Hugh Stoneman.

1975 onwards - Piers settled in Wensleydale and has had to date nearly 50 One Man exhibitions as far afield as Reykjavik, Malibu, Munster (North Germany),etc. and for 20 years was part of the Askrigg Group who exhibited locally every August. To date Piers has had over 24 pictures hung in the Royal Academy.

1988 - Though he ferociously paints, his first book was "A Shropshire Lad" - illustrating the poems of AE Housman (Sold out).

1989 - His next book "An Elegy in Arcady" followed in 1989 - a biography of Housman written and illustrated by Piers.

1991- John Murray published his next book "William Wordsworth - A Lakeland Anthology" - Wordsworth Poetry, with 54 coloured etchings by Piers (it was equal first in the WH Smith Illustrated Book of the Year Award, 1991) - many of the etchings are now sold out (as is the book).

1993 - Began composing music set with his published verse.

1993 - November - In conjunction with the Council for the Protection of Rural England, he presented a large show of his Oils and Etchings at Smiths Galleries, Convent Garden. Later, at the invitation of the Government of Iceland, he displayed this exhibition in Rejkyavik.

1994 - His fourth book - "Wensleydale" - Etchings and Verse by Piers Browne, was launched at the Medici Gallery, Grafton Street, London. About 100 signed copies are left of the 4000.

1994 - Exhibition of Javanese pictures in London.

1996 - May - His "Shropshire Lad" etchings were shown at the Royal Festival Hall's Poetry Library.

1998 - Exhibitions "Watercolours to Drypoints" at Zella Gallery, Fulham, London in May - almost their last show - Piers stocked Zella from 1972.

2001 - October - The Aegean Seen show at Godfrey and Watt in Westminster Arcade, Harrogate was the start of many almost sell-out One-mans there.

2001 - February - Piers' "Boscobel Oak" etching was presented to Prince Charles at Boscobel House near Wolverhampton.

In late 2002 he began ‘'SONNETS FOR A SIREN’ - his third totally handmade book in an edition of 20 and now at £5000 each.

2002 -The main launch of The Glorious Trees of Great Britain book and huge and small oils and etchings reproduced in the book was at NORTH LIGHT GALLERY, Yorkshire Technology Park, Armitage Bridge, Huddersfield.

2003 - March/April The Scottish launch of Piers' trees book with all etchings was in the spacious BROUGHTON PLACE nr. Peebles when run by the distinguished watercolourist Graham Buchanan Dunlop; Piers had a well visited large stand at The Chelsea Flower Show that year.

2003 - August Finally, after 25 years, shows of the Askrigg group (including the distinguished potter Andrew Hague) ended.

2004 - March/ April – New small oils & etchings at Godfrey & Watt, Harrogate.
29 May /June - ABERYSTWYTH (tree etchings and some giant oil to shatter the peace) VENUE in foyer of The National Library at Aberystwyth.

October 7 - 28 The Blake Gallery, Blake Street in central York. This huge one man exhibition of seascapes around Whitby & the Scottish Highlands, etc. was very successful, '06 October saw another huge One-man of Oils there - they stock Piers' oils permanently.

2005 - The Craft Centre, Leeds City Art Gallery, Leeds
March – June - On show were TEN of Piers' largest and probably most audacious etchings - this gallery has a tiny permanent selection of Piers' prints.

2008 - launch of Piers' latest book, Sonnets for a Siren at the Cambridge Book & Print Gallery.


Piers Browne. New Year's Day, Burnham Beeches

Just completed (2009)

New Year's Day: Burnham Beeches, Winter Dusk

Etching on wove paper
signed, titled and inscribed A/P, artist's proof aside from the forthcoming edition of 50
42 x 42.5cm. (plate); 55 x 49.5 cm. (sheet)

£295 (unframed); £395 (framed)


Piers Browne. Kings College Chapel: Autumn in Cambridge

completed (2008)

Kings College Chapel, Autumn in Cambridge

Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
20 x 22cm. (plate); 32.5 x 29.5 cm. (sheet)

£195 (unframed); £235 (framed)


Piers Browne. The Gardener's Friend

The Gardener's Friend
Etching on wove paper
signed, titled and numbered from edition of 50
24 x 20 cm. (sheet)

£150
(within limed wood frame)


Piers Browne. Great Shoals of Leaves

ETCHINGS FOR SONNETS FOR A SIREN (2008)

Great Shoals of leaves...

Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
17.5 x 14.5cm. (plate)
Ref: Sonnets for a Siren, (2008). P. 13 (illustrated)

£195 (framed)

Piers Browne. Hawthorne in Rime



Hawthorne in rime
Etching on wove paper
signed, titled and inscribed AP, proof aside from edition of 20
16.5 x 14.5cm. (plate); 34.5 x 31cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 14 (illustrated)

£195 (framed)

Piers Browne. She wears an icy face



She wears an icy face... Hawthorne in rime
Etching on wove paper (sepia)
signed, titled and numbered from edition of 40 by the artist in pencil
16 x 13.5cm. (plate); 34.5 x 31cm. (sheet)
Ref: Sonnets for a Siren, (2008)

Sepia version not used in the book.

SOLD


Piers Browne. Never has a girl felt so has-been...



"Never has a girl felt so has-been..." Rowing boat in Freshwater Bay, Isle of Wight.
Etching on wove paper
signed, titled and numbered from edition of 20 by the artist in pencil
5.5 x 15cm. (plate); 17.5 x 28.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 12 (illustrated)

£125 (unframed)

Piers Browne. Staged Proposal



Theatre: The Proposal (Staged Proposal)
Etching on wove paper, 2006
signed, dated, title and inscribed AP by the artist in pencil
artist's proof aside from edition of 25
7.3 x 10.5cm. (plate); 25.5 x 29.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 10 (illustrated)

£75 (unframed)

Piers Browne. Harvest by the Ocean



Harvest by the Ocean
Etching on wove paper (colour)
signed, titled and numbered from edition of 25 by the artist in pencil
5 x 16.5cm. (plate); 17 x 30cm. (sheet)
Ref: Sonnets for a Siren, (2008).

£135 (unframed)

Coloured version not used in the book.

Piers Browne. Harvest by the Ocean



Harvest by the Ocean
Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
5 x 16.5cm. (plate); 17 x 30cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 3 (illustrated)

£125 (unframed)

Piers Browne. Battered with artist's shadow



Battered with artist's shadow
Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
18 x 18cm. (plate); 33.5 x 32.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 8 (illustrated)

£215 (unframed)

Piers Browne. Last Hickory, Kenmor House



ETCHINGS FOR THE GLORIOUS TREES OF GREAT BRITAIN (2002)

Last Hickory, Kenmor House: Londonderry on an August Evening

Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
9.5 x 20. 5cm. (plate); 28.5 x 40.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 148 (illustrated)

£160 (unframed)

Piers Browne. Pruned Elm: December at Brighton Pavilion



Pruned Elm: December at Brighton Pavilion
Etching on wove paper
2000
signed, dated, titled and numbered from edition of 50 by the artist in pencil
30.5 x 30. 5cm. (plate); 51.5 x 48.5cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 32 (illustrated)

£255 (within mount)

Piers Browne. Dawn on Iona



Dawn on Iona: Elm behind a ruin with eagle owl
Etching on wove paper
2001
signed, dated, titled and numbered from edition of 20 by the artist in pencil
14 x 18cm. (plate); 26.5 x 32cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 31 (illustrated)

£150 (unframed)

Piers Browne. Last sun in suburbia: Variegated Maple


Last sun in suburbia: Variegated Maple
Etching on wove paper
signed, titled and numbered from edition of 30 by the artist in pencil
15 x 11cm. (plate); 27.5 x 22cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 75 (illustrated)

£140 (unframed)

Piers Browne. Herb Garden, Fulham Palace
Herb Garden, Fulham Palace: with wisteria, mimosa, fig and cat
Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
7.5 x 21.5cm. (plate); 22 x 38cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 157 (illustrated)

£155 (unframed)

Piers Browne. Flowering Chestnut
Flowering Chestnut: Wales from near Hereford
Etching on wove paper
signed, titled, dated '95 and numbered from edition of 20 by the artist in pencil
13 x 17cm. (plate); 24.5 x 28.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 42 (illustrated)

£130 (unframed)

Piers Browne. Ancient Apple tree: herefordshire in May
Ancient Apple tree: Herefordshire in May
Etching on wove paper
signed, titled, and numbered from edition of 20 by the artist in pencil
12 x 15cm. (plate); 24.5 x 28.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 54 (illustrated)

£185 (framed)

Piers Browne. The long walk to Windsor Castle
The Long Walk to Windsor Castle
Etching on wove paper
signed, titled and numbered
from edition of 20
10.5 x 10.5cm. (plate);
20.5 x 17.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 1

£120
(unframed)

Piers Browne. View of Dordrecht - after Cuyp



ETCHINGS FOR An Elegy in Arcady: An Artist's View of Housman's Poetry (1989)

View of Dordrecht - after Cuyp

Etching on wove paper
signed, titled and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 21 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 5] (illustrated)

£90 (within mount)

Piers Browne. Labouring Highway


Labouring Highway - AE Housman
Etching on wove paper
signed, titled and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 18.5 x 22cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 116-117] (illustrated)

£95 (within mount) 

Piers Browne. Ploughing



Team Ploughing
Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist in pencil
19.5 x 12cm. (plate); 35.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 101] (illustrated)

£115 (within mount) ; £195 (framed) 
 
Piers Browne. Great Court, Trinity



Great Court, Trinity

Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist in pencil
9 x 12.5cm. (plate); 31 x 35cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 36-37] (illustrated)

£115 (unframed); £195 (framed) 

Piers Browne. Olives



Olives

Etching on wove paper
signed, titled, and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 39.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 68-69] (illustrated)

£95 (unframed) 

Piers Browne. The Backs, Trinity, Cambridge



The Backs, Trinity, Cambridge

Etching on wove paper, 1988
signed, titled, and numbered from edition of 65 by the artist in pencil
19.5 x 12cm. (plate); 35.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 37] (illustrated)

£195 (framed) 

Piers Browne. The Long Mynd



The Long Mynd

Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist in pencil
9 x 12.5cm. (plate); 31 x 35cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 100-101] (illustrated)

£195 (framed) 

Piers Browne. Adam and Eve in Paradise



Adam & Eve in Paradise - after "velvet" Bruegel

Engraving on wove paper
signed, titled, and numbered from edition of 65 by the artist in pencil
19.5 x 12.5cm. (plate); 34 x 27cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 132] (illustrated)

£115 (within mount) 

Piers Browne. Standing Hill



Standing Hill

Engraving on wove paper, 1988
signed, titled, dated and numbered from edition of 65 by the artist in pencil
19.5 x 12cm. (plate); 37 x 27.5cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 117] (illustrated)

£115
(within mount) 

Piers Browne. While not a leaf seems faded



ETCHINGS FOR William Wordsworth: A Lakeland Anthology (1991) - (Winner of the Illustrated book of the year, 1992)

"The Langdale Pikes: October Morning. While not a leaf seems faded"

Etching on wove paper, 1990
signed, titled, dated and numbered from edition of 50 by the artist in pencil
14.5 x 14cm. (plate); 34.5 x 28.5cm.
Ref: William Wordsworth: A Lakeland Anthology, (1991.) P. [42] (illustrated)

£145

Piers Browne. Is my Team Ploughing



ETCHINGS FOR A Shropshire Lad (1988)

"Is my team ploughing..." AE Housman

Etching on wove paper
signed, titled and inscribed 'Artist's Proof' by the artist in pencil
Artist's proof aside from edition of 25
30.5 x 23cm. (plate); 40 x 30.5cm. (sheet)
Ref: A Shropshire Lad, (1988)

£220

One of a very small number of artist's proofs from the sold out edition of Piers' first handmade book, produced in an edition of 25 in 1981, trade edition published 1988.

Piers Browne. By Blowing Realms of Woodland



ETCHINGS FOR A Shropshire Lad (1988)

"By blowing realms of woodland with sunstruck vanes afield..." AE Housman

Etching on wove paper
signed, titled and numbered from edition of 100 by the artist in pencil
24 x 23cm. (plate); 37 x 34cm. (within mount)
Ref: A Shropshire Lad, (1988)

SOLD

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