Piers Browne (British, b. 1949) |
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Piers Browne - A painter in the English tradition
who often shows in the Royal Academy Summer Show and in November at
the New English Art Club
Piers followed a classical path through art schools and travelled
widely in Europe and Africa before settling in Wensleydale in 1975.
1968-70 - Byam Shaw, London under Peter Garrard and Maurice de Saumarez.
1970 - Travelled in Africa, painting, and 1971 spent whole year copying
in European museums from Paris to Palermo.
1972-75 - Royal Academy Schools, London, where won David Murray Landscape
prize two years running. He learnt to etch at the same time at Islington
Studio under the late great Hugh Stoneman.
1975 onwards - Piers settled in Wensleydale and has had to date nearly
50 One Man exhibitions as far afield as Reykjavik, Malibu, Munster
(North Germany),etc. and for 20 years was part of the Askrigg Group
who exhibited locally every August. To date Piers has had over 24
pictures hung in the Royal Academy.
1988 - Though he ferociously paints, his first book was "A Shropshire
Lad" - illustrating the poems of AE Housman (Sold out).
1989 - His next book "An Elegy in Arcady" followed in 1989
- a biography of Housman written and illustrated by Piers.
1991- John Murray published his next book "William Wordsworth
- A Lakeland Anthology" - Wordsworth Poetry, with 54 coloured
etchings by Piers (it was equal first in the WH Smith Illustrated
Book of the Year Award, 1991) - many of the etchings are now sold
out (as is the book).
1993 - Began composing music set with his published verse.
1993 - November - In conjunction with the Council for the Protection
of Rural England, he presented a large show of his Oils and Etchings
at Smiths Galleries, Convent Garden. Later, at the invitation of the
Government of Iceland, he displayed this exhibition in Rejkyavik.
1994 - His fourth book - "Wensleydale" - Etchings and Verse
by Piers Browne, was launched at the Medici Gallery, Grafton Street,
London. About 100 signed copies are left of the 4000.
1994 - Exhibition of Javanese pictures in London.
1996 - May - His "Shropshire Lad" etchings were shown at
the Royal Festival Hall's Poetry Library.
1998 - Exhibitions "Watercolours to Drypoints" at Zella
Gallery, Fulham, London in May - almost their last show - Piers stocked
Zella from 1972.
2001 - October - The Aegean Seen show at Godfrey and Watt in Westminster
Arcade, Harrogate was the start of many almost sell-out One-mans there.
2001 - February - Piers' "Boscobel Oak" etching was presented
to Prince Charles at Boscobel House near Wolverhampton.
In late 2002 he began ‘'SONNETS FOR A SIREN’ - his third
totally handmade book in an edition of 20 and now at £5000 each.
2002 -The main launch of The Glorious Trees of Great Britain book
and huge and small oils and etchings reproduced in the book was at
NORTH LIGHT GALLERY, Yorkshire Technology Park, Armitage Bridge, Huddersfield.
2003 - March/April The Scottish launch of Piers' trees book with all
etchings was in the spacious BROUGHTON PLACE nr. Peebles when run
by the distinguished watercolourist Graham Buchanan Dunlop; Piers
had a well visited large stand at The Chelsea Flower Show that year.
2003 - August Finally, after 25 years, shows of the Askrigg group
(including the distinguished potter Andrew Hague) ended.
2004 - March/ April – New small oils & etchings at Godfrey
& Watt, Harrogate.
29 May /June - ABERYSTWYTH (tree etchings and some giant oil to shatter
the peace) VENUE in foyer of The National Library at Aberystwyth.
October 7 - 28 The Blake Gallery, Blake Street in central York. This
huge one man exhibition of seascapes around Whitby & the Scottish
Highlands, etc. was very successful, '06 October saw another huge
One-man of Oils there - they stock Piers' oils permanently.
2005 - The Craft Centre, Leeds City Art Gallery, Leeds
March – June - On show were TEN of Piers' largest and probably
most audacious etchings - this gallery has a tiny permanent selection
of Piers' prints.
2008 - launch of Piers' latest book, Sonnets for a Siren at the Cambridge
Book & Print Gallery.
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"The sunset brands each fox more russet still..."
Etching on wove paper
signed, titled and numbered from edition of 15
14 x 13.5cm. (plate)
£195 (within mount) |
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Ploughing in Turkey
Etching on wove paper
signed, titled and numbered from edition of 40
29 x 55cm. (plate)
£345 (framed)
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New Year's Day: Burnham Beeches, Winter Dusk
Etching on wove paper
signed, titled and inscribed A/P, artist's proof aside from edition of 50
42 x 42.5cm. (plate); 55 x 49.5 cm. (sheet)
£395 (unframed) |
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completed (2008)
Kings College Chapel, Autumn in Cambridge
Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
20 x 22cm. (plate); 32.5 x 29.5 cm. (sheet)
£215 (unframed)
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The Gardener's Friend
Etching on wove paper
signed, titled and numbered from edition of 50
24 x 20 cm. (sheet)
£150 (within limed wood frame)
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Two barren ones
Etching on wove paper
signed, titled and numbered from edition of 10
10 x 7cm. (plate)
£135 (within silver/limed wood frame)
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ETCHINGS FOR SONNETS FOR A SIREN (2008)
Great Shoals of leaves...
Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
17.5 x 14.5cm. (plate)
Ref: Sonnets for a Siren, (2008). P. 13 (illustrated)
£195 (framed)
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Hawthorne in rime
Etching on wove paper
signed, titled and inscribed AP, proof aside from edition of 20
16.5 x 14.5cm. (plate); 34.5 x 31cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 14 (illustrated)
£195 (framed)
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She wears an icy face... Hawthorne
in rime
Etching on wove paper (sepia)
signed, titled and numbered from edition of 40 by the artist in pencil
16 x 13.5cm. (plate); 34.5 x 31cm. (sheet)
Ref: Sonnets for a Siren, (2008)
Sepia version not used in the book.
£195 (framed)
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"Never has a girl felt so has-been..."
Rowing boat in Freshwater Bay, Isle of Wight.
Etching on wove paper
signed, titled and numbered from edition of 20 by the artist in pencil
5.5 x 15cm. (plate); 17.5 x 28.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 12 (illustrated)
£150 (unframed)
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Theatre: The Proposal (Staged Proposal)
Etching on wove paper, 2006
signed, dated, title and inscribed AP by the artist in pencil
artist's proof aside from edition of 25
7.3 x 10.5cm. (plate); 25.5 x 29.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 10 (illustrated)
£75 (unframed)
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Harvest by the Ocean
Etching on wove paper (colour)
signed, titled and numbered from edition of 25 by the artist in pencil
5 x 16.5cm. (plate); 17 x 30cm. (sheet)
Ref: Sonnets for a Siren, (2008).
£175 (framed)
Coloured version not used in the book.
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Harvest by the Ocean
Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
5 x 16.5cm. (plate); 17 x 30cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 3 (illustrated)
£125 (unframed)
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Battered with artist's shadow
Etching on wove paper
signed, titled and numbered from edition of 25 by the artist in pencil
18 x 18cm. (plate); 33.5 x 32.5cm. (sheet)
Ref: Sonnets for a Siren, (2008). P. 8 (illustrated)
£215 (unframed)
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ETCHINGS FOR THE GLORIOUS TREES OF GREAT BRITAIN
(2002)
Last Hickory, Kenmor House: Londonderry on an August Evening
Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
9.5 x 20. 5cm. (plate); 28.5 x 40.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 148 (illustrated)
£160 (unframed)
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Pruned Elm: December at Brighton Pavilion
Etching on wove paper
2000
signed, dated, titled and numbered from edition of 50 by the artist in
pencil
30.5 x 30. 5cm. (plate); 51.5 x 48.5cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 32 (illustrated)
£255 (within mount)
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Leylandii in Lincolnshire with swans
Etching on wove paper
signed, dated, titled and inscribed AP (artist's proof aside from edition)
14.5 x 14.5cm. (plate)
Ref: The Glorious Trees of Great Britain, (2002). P. 29 (illustrated)
£195 (unframed)
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Acer Atropurpureum: Welsh Borders
Etching on wove paper
1998
signed, dated, titled and numbered from edition of 25 by the artist in
pencil
23 x 30.5cm. (plate); 36 x 44cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 33 (illustrated)
£195 (unframed)
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Pruned Elm: December at Brighton Pavilion
Etching on wove paper
2000
signed, dated, titled and numbered from edition of 50 by the artist in
pencil
30.5 x 30. 5cm. (plate); 51.5 x 48.5cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 32 (illustrated)
£255 (within mount)
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Milton's Mulberry: Fellow's Garden, Christ's College, Cambridge
Etching on wove paper
2001
signed, titled and inscribed A/P, artist's proof aside from the edition of 50
15.5 x 15.5cm. (plate); 29.5 x 27cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 62 (illustrated)
£160 |
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Spring, Osier on the Cam
Etching on wove paper
signed, titled and numbered from edition of 40 by the artist
30.5 x 22cm. (plate)
Ref: The Glorious Trees of Great Britain, (2002). P. 104 (illustrated)
£185 |
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Dawn on Iona: Elm behind a ruin with eagle owl
Etching on wove paper
2001
signed, dated, titled and numbered from edition of 20 by the artist in
pencil
14 x 18cm. (plate); 26.5 x 32cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 31 (illustrated)
£150 (unframed)
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Last sun in suburbia: Variegated Maple
Etching on wove paper
signed, titled and numbered from edition of 30 by the artist in pencil
15 x 11cm. (plate); 27.5 x 22cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 75 (illustrated)
£140 (unframed) |
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Herb Garden, Fulham Palace: with wisteria,
mimosa, fig and cat
Etching on wove paper
signed, titled and numbered from edition of 50 by the artist in pencil
7.5 x 21.5cm. (plate); 22 x 38cm. (within mount)
Ref: The Glorious Trees of Great Britain, (2002). P. 157 (illustrated)
£155 (unframed)
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Flowering Chestnut: Wales from near Hereford
Etching on wove paper
signed, titled, dated '95 and numbered from edition of 20 by the artist
in pencil
13 x 17cm. (plate); 24.5 x 28.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 42 (illustrated)
£130 (unframed)
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The Long Walk to Windsor Castle
Etching on wove paper
signed, titled and numbered
from edition of 20
10.5 x 10.5cm. (plate);
20.5 x 17.5cm. (sheet)
Ref: The Glorious Trees of Great Britain, (2002). P. 1
£120 (unframed)
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ETCHINGS FOR An Elegy
in Arcady: An Artist's View of Housman's Poetry (1989)
View of Dordrecht - after Cuyp
Etching on wove paper
signed, titled and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 21 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 5] (illustrated)
£90 (within mount)
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Labouring Highway - AE Housman
Etching on wove paper
signed, titled and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 18.5 x 22cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 116-117] (illustrated)
£95 (within mount)
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Team Ploughing
Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist
in pencil
19.5 x 12cm. (plate); 35.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 101] (illustrated)
£115 (within mount) ; £195 (framed)
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Great Court, Trinity
Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist
in pencil
9 x 12.5cm. (plate); 31 x 35cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 36-37] (illustrated)
£115 (unframed); £195 (framed)
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Olives
Etching on wove paper
signed, titled, and numbered from edition of 65 by the artist in pencil
9 x 12cm. (plate); 39.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 68-69] (illustrated)
£95 (unframed)
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The Backs, Trinity, Cambridge
Etching on wove paper, 1988
signed, titled, and numbered from edition of 65 by the artist in pencil
19.5 x 12cm. (plate); 35.5 x 28cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 37] (illustrated)
£195 (framed)
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The Long Mynd
Etching on wove paper
signed, titled, dated '88 and numbered from edition of 65 by the artist
in pencil
9 x 12.5cm. (plate); 31 x 35cm. (sheet)
Ref: An Elegy in Arcady, (1989). [between pp. 100-101] (illustrated)
£195 (framed)
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Standing Hill
Engraving on wove paper, 1988
signed, titled, dated and numbered from edition of 65 by the artist in pencil
19.5 x 12cm. (plate); 37 x 27.5cm. (sheet)
Ref: An Elegy in Arcady, (1989). [facing p. 117] (illustrated)
£115 (within mount)
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ETCHINGS FOR William Wordsworth: A Lakeland Anthology (1991) - (Winner of the Illustrated book of the year, 1992)
"To a Skylark - inspired by Wordsworth, Scafell Pikes from above Devoke Water"
Etching on wove paper, 1990
signed, titled, and numbered from edition of 50 by the artist in pencil
14 x 13.5cm. (plate); 24 x 20cm. (sheet)
Ref: William Wordsworth: A Lakeland Anthology, (1991.) P. [70] (illustrated)
£175 (framed)
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ETCHINGS FOR A Shropshire Lad (1988)
"Is my team ploughing..."
AE Housman
Etching on wove paper
signed, titled and inscribed 'Artist's Proof' by the artist in pencil
Artist's proof aside from edition of 25
30.5 x 23cm. (plate); 40 x 30.5cm. (sheet)
Ref: A Shropshire Lad, (1988)
£220
One of a very small number of artist's proofs from the sold out edition of Piers' first handmade book, produced in an edition of 25 in 1981, trade edition published 1988.
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Loveliest of Trees...AE Housman
Etching on wove paper
1986
signed, titled, dated and numbered from edition of 100
15 x 11.5cm. (plate); 26 x 22cm. (sheet)
Ref: A Shropshire Lad, (1988)
£115
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"When I Meet the Morning Beam"... AE Housman. The Wrekin from Caer Caradoc
Etching on wove paper
signed, titled, and numbered from edition of 100
8 x 15cm. (plate)
Ref: A Shropshire Lad, (1988)
£180 (framed)
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"Here by the labouring highway"... AE Housman.
Etching on wove paper
signed, titled, and numbered from edition of 100
8 x 14cm. (plate)
Ref: A Shropshire Lad, (1988)
£180 (framed)
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