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Michael Ayrton was born in London, the son of poet, essayist and critic,
Gerald Gould and of Barbara Ayrton Gould, the Labour politician and
suffragette. He became a prolific and highly imaginative artist but
also a respected critic, writer, scholar and novelist. His work first
came to public attention when as a nineteen year old he designed the
sets along with fellow artist, John Minton with whom he had earlier
shared a studio, for John Gielgud's wartime production of Macbeth. In
1944 he outraged critics and other artists with his radio critique of
Picasso, a move for which he was never entirely forgiven by the art
establishment. Although known for his sculpture, Ayrton was also a keen
printmaker and designer. He illustrated many books, designing the dust-jackets
for novels by William Golding and Wyndham Lewis amongst others. His
work was characterized by a fascination for Greek myths later reflected
in his majestic series of minotaur sculptures, drawings, and etchings,
with which the artist closely identified himself. His work is held in
numerous public collections, including The Tate Gallery, The National
Portrait Gallery, The Victoria and Albert Museum, The Arts Council of
Great Britain, The British Council, the British Museum, the Imperial
War Museum, Fitwilliam Museum amongst many others.
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Conversation in the Wind
Lithograph printed in colours, on wove paper with margins
1948
issued in an edition of 50 unsigned examples, signed and dated in the
stone
38 x 28.5cm.
Reference: Michael Ayrton: paintings and drawings, sculpture,
book illustration, theatre design 1945-1955, Whitechapel, 1957: no:
73 (giving date as 1947).
SOLD
An uncommon lithograph by Michael Ayrton. |
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