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Edward Ardizzone CBE RA RI (British 1900-1979)


Edward Ardizzone was born in 1900 in French Indochina. He was possessed with a quick eye and was able to capture the very essence of life. By the outbreak of World War Two he was already a household name, spending six years as Britain's official war artist. He became a master of book illustration, embellishing works for both adults and children; drawings remarkable both for their detail and faultless relationship to the page. Well-known works are the Little Tim series of books. Ardizzone collaborated with Eleanor Farjeon in 1955, 'The Little Bookroom' won the prestigious Carnegie Medal and Ardizzone said of his drawings for the book: "All Childhood is there, all I feel about childhood in the dim recesses where that part of me still lives." Ten of Ardizzone's best drawings for 'The Little Bookroom' form the heart of the exhibition and reveal the illustrator at the very height of his powers.

Ardizzone's observation of the atmosphere of childhood, of the world conjured by children's writers for whose books these drawings were commissioned, was acute, yet the works themselves appeal in their intricacy, intimacy and beauty equally to children and adults alike.

Edward Ardixxone. Rachel in the Sleeping Bag
Original pen and ink drawings to illustrate Pinky Pye (1958) by Eleanor Estes.

Rachel in the Sleeping Bag
Pen and ink on paper
1958
inscribed by the artist 'Rachel in the Sleeping Bag' chapter XVIII
20 x 29.5 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 169

SOLD


Edward Ardizzone. Mr Bish reunited with his little owl




Mr Bish reunited with his little owl
Pen and ink on paper
1958
inscribed by the artist 'Mr Bish reunited with his little owl' chapter XVII
20.5 x 30 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 158

SOLD


Edward Ardizzone. Waiting for the Fireworks

Waiting for the Fireworks
Pen and ink on paper
1958
inscribed by the artist 'waiting for the fireworks' chapter VI
20.5 x 29.5 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 58

SOLD


Edward Ardizzone. Spot drawing for title-page



Spot drawing for title-page
Pen and ink on paper
1958
inscribed by the artist 'Spot drawing for title-page'
30 x 22 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated title-page

SOLD


Edward Ardizzone. Fog & Wind



Fog & Wind
Pen and ink on paper
1958
inscribed by the artist 'Fog & Wind' chapter VIII
20 x 29.5 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 72

£1,450



Edward Ardizzone. Mr Bish face to face with the little owl


Mr Bish face to face with the little owl
Pen and ink on paper
1958
inscribed by the artist 'Mr Bish face to face with the little owl' chapter XV
20.5 x 30 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 141

SOLD


Edward Ardizzone. On the Balcony again



On the Balcony again
Pen and ink on paper
1958
inscribed by the artist 'On the Balcony again' chapter XX
20 x 29.5 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 185

£1,650



Edward Ardizzone. Pinky goes upside down through the mail box

Pinky goes upside down through the mail box
Pen and ink on paper
with additional drawing overlaid to the one beneath
1958
inscribed by the artist 'Pinky goes upside down through the mail box' chapter XIV
20.5 x 24.8 cm. (sheet)

References: Eleanor Estes. Pinky Pie, 1958, illustrated p. 134

£1,450


Edward Ardizzone. Pannychis


Original pen and ink drawings to illustrate The Carnegie medal winner The Little Bookroom by Eleanor Farjeon. Ardizzone said of his drawings for the book, "All Childhood is there, all I feel about childhood in the dim recesses where that part of me still lives."

Pannychis
Illustration for "Pannychis"
Pen and ink on paper
1955
13.7 x 16.7 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 293

£1,450


Edward Ardizzone. Young Kate



Young Kate
Illustration for "Young Kate"
Pen and ink on paper
1955
13.7 x 16.7 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 32

SOLD






The Councillor and the Sentry
Illustration for "In Those Days"
Pen and ink on paper
1955
11.5 x 17 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 179

£1,100



Edward Ardizzone. King of Southlands




The King of Southlands
Illustration for "Westwoods"
Pen and ink on paper
1955
inscribed by the artist 'Westwoods. The King of Southlands'
29 x 19.7 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 104

£1,250



Edward Ardizzone. Detectives in disguise were let loose in the streets




Detectives in disguise were let loose in the streets
Illustration for "The King's Daughter Cries for the Moon"
Pen and ink on paper
1955
inscribed by the artist 'The King's Daughter cries for the Moon. Detectives in disguise were let loose in the streets'
29 x 20 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 17

£1,350



Edward Ardizzone. Griselda could contain herself no longer




Griselda could contain herself no longer
Illustration for "And I Dance Mine Own Child"
Pen and ink on paper
1955
inscribed by the artist 'And I Dance Mine Own Child. Griselda could contain herself no longer. She flew in & hugged her Gran ma page 21'
29 x 19.5 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 233

SOLD






Duchess may I have the honour to dance with you
Illustration for "The Little Dressmaker"
Pen and ink on paper
1955
inscribed by the artist 'THE LITTLE DRESSMAKER. page 8 of Typescript "Duchess may I have the honour to dance with you"'
29 x 19.5 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 133

SOLD
 


Edward Ardizzone. The Queen




The Queen
Illustration for "The Seventh Princess"
Pen and ink on paper
1955
12 x 16 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 142

£1,250



Edward Ardizzone. I know you are sweeter




I know you are sweeter
Illustration for "Westwoods"
Pen and ink on paper with printed overlaid text
1955
14 x 16.5 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 91

£1,100



Edward Ardizzone. The girl who kissed the peach tree




The Girl who Kissed the Peach-Tree
Illustration for "The Girl who kissed the Peach-Tree"
Pen and ink on paper
1955
13.5 x 16.5 cm. (sheet)

References: Eleanor Farjeon. The Little Bookroom, 1955, illustrated p. 83

£1,350







Original pen and ink drawings to illustrate Kidnappers at Coombe (1960) by Joan Ballantyne

He Quickly Turned over the Labels
Pen and ink on paper
1960
inscribed by the artist 'Chapt. II He quickly turned over the labels. The Bearded Stranger.'
20.5 x 30 cm. (sheet)

References: Joan Ballantyne. Kidnappers at Coombe, 1960, illustrated p. 19

SOLD


Edward Ardizzone. Ran towards the hedge




Ran towards the hedge
Pen and ink on paper
1960
inscribed by the artist 'Chapt VIII. The Beard was black. Ran towards the hedge.'
20.5 x 30 cm. (sheet)

References: Joan Ballantyne. Kidnappers at Coombe, 1960, illustrated p. 85

£1,250



Edward Ardizzone. All heads craned towards the windows




All heads craned towards the windows
Pen and ink on paper
1960
inscribed by the artist 'Chapt. XV All heads craned towards the windows. By coach to the sea.'
20.5 x 30 cm. (sheet)

References: Joan Ballantyne. Kidnappers at Coombe, 1960, illustrated p. 168

£1,750







Original Double-page pen and ink drawing of Leaping Man and boy, with 38 Lines of Manuscript Text in the Artist's Hand
to illustrate James Reeves' Three Tall Tales
1964
Pen and ink on paper
20 x 32 cm (sheet)
Date: 1964
References: James Reeves. Three Tall Tales, 1964, illustrated p. 29-30

£1,700


Included with the original illustration is the artist's proof printed in 4 colours of the artwork only (text area left blank); separately framed.Unusually with this drawing, Ardizzone has inscribed Reeves's text in his own hand, presumably to help in the visualisation of the layout. The text of the published version was printed.


Edward Ardizzone



Artist's proof printed in 4 colours of artwork
to illustrate James Reeves' Three Tall Tales
1964
14.5 x 35 cm (sheet)

References: James Reeves. Three Tall Tales, 1964, illustrated pp. [33-34].

SOLD


Edward Ardizzone. The Lady Next Door



The Lady Next Door
Watercolour on paper
c.
1974
Signed with initials
19.5 x 28 cm.

Exhibited: the Mayor Gallery 1975 no. 15; The Scottish Arts Council exhibition 'Edward Ardizzone', 1979, no. 86.

£4,900



Edward Ardizzone. Woman and Dog



Woman and Dog
pencil on paper
signed with initials
14.5 x 16cm.

Provenance: The New Grafton Gallery, exh: 5.12.84, according to label attached to reverse.

SOLD



Edward Ardizzone. Kew Gardens



Kew Gardens
pen and ink on paper
1960
note by the artist in pencil to the reverse, to illustrate Eleanor Farjeon's Book.
12.5 x 13 cm. (sheet)

SOLD



Edward Ardizzone. The Old Nurse's Stocking Basket



The Old Nurse's Stocking Basket (Can men be such fools.)
pen and ink on paper
1965
titled by the artist in pencil, to ilustrate Chapter V of Elenor Farjeon. The Old Nurse's Stocking Basket.
20 x 23cm. (sheet)

SOLD






Three Tall Tales
Original double-page drawing of a boy aiming arrow at fish, with manuscript text by Ardizzone (16 lines)
pen and ink on paper
19 x 30cm.
1964
Reference: James Reeves. Three Tall Tales. Abelard-Schuman, 1964.

SOLD

Included with the original illustration is the artist's proof printed in 4 colours of the artwork only (text area left blank); separately framed.Unusually with this drawing, Ardizzone has inscribed Reeves's text in his own hand, presumably to help in the visualisation of the layout. The text of the published version was printed.

 

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